The Politics of Potter Revisited
Brian Doherty | July 9, 2007, 3:10pm
Nick Gillespie blogged about this initially way back in November 2005, but University of Tennessee law professor Benjamin Barton's theories about the libertarian heart of Harry Potter are being hyped again by his college's P.R. department as we ramp up to the July 21 release of whatever the heck the last novel in the sequence is called. (I'm neither fan nor not-fan...haven't read any of them, saw one of the movies and was a bit bored.) Part of Barton's message about the political message at the heart of J.K. Rowling's fantasy world:
"What would you think of a government that engaged in this list of tyrannical activities: tortured children for lying; designed its prison specifically to suck all life and hope out of the inmates; placed citizens in that prison without a hearing; ordered the death penalty without a trial; allowed the powerful, rich or famous to control policy; selectively prosecuted crimes (the powerful go unpunished and the unpopular face trumped-up charges); conducted criminal trials without defense counsel; used truth serum to force confessions; maintained constant surveillance over all citizens; offered no elections and no democratic lawmaking process; and controlled the press?
"You might assume that the above list is the work of some despotic central African nation, but it is actually the product of the Ministry of Magic, the magician's government in J.K. Rowling's Harry Potter series."
Barton said he thinks the anti-government thread that runs through the Potter novels is significant because the books have great potential to sway public opinion.
While speaking at the libertarian gathering FreedomFest in Vegas over the weekend, a panel on Atlas Shrugged was confronted with the question: in 50 years, will libertarian gatherings be mulling over the continuing libertarian significance of Potter? My firm answer: It remains to be seen, only time will tell, the future is inherently kaleidic and unknowable, etc.
Les | July 9, 2007, 5:30pm | #
There's a little bit of Lemony Snicket adults-as-idiots going on early in the books, but later it becomes clear that the magical world is simply a dangerous one, much more dangerous than the normal world. The adults put the kids in lethal danger at the school because they are preparing the kids for lethal occupations.
No, I don't buy that.
Some of the kids will have lethal occupations, but most of them, like most muggles, will simply exist in this world, doing simple jobs, like most of the people you see in the movie. And if you're training someone to be in a lethal world (is it
really more lethal than the muggles' world?), there are lots of ways to do it without risking that person's (or, more importantly in this case, this
child's) safety. The way adults take care of children is dismissed in HP, not because it has to be, but because it makes the story more exciting.
While the Harry Potter series is typically classified as fantasy, it is arguably in the original tradition of science/speculative fiction where what-ifs are explored.
Speculative fiction is something I think of as very different from science-fiction. Science fiction has to take the implications of technology as far as is logically possible in order to create a believable world.
When you're dealing with magic that's used casually every day, as it is in HP, nothing needs to make sense. Magic solves a problem when it's convenient to the story (you can teleport, transform, move, fly, light, disappear, etc.), but magic can't solve problems when the story needs a conflict.
This, of course, is a matter of taste. HP is escapist fantasy and it really doesn't have to make logical sense for it to be entertaining, which, I think, is the author's overriding motivation, and more power to her.
jprfrog | July 11, 2007, 9:59am | #
I'm surprised at how so many here seem to miss an essential point: The fount of evil in the series is power-hunger.
The chief villain is a "half-blood" orphan who wants to live forever and uses the racist bigotry of the aristocratic "pure-bloods" to manipulate, use, and then discard them for his own ends, which seems to be destruction for its own sake. I believe Voldemort is modeled on Hitler (who may have been part Jewish himself). His only passion is power for the sake of power, which leads, as in real life, to the only use of such power: to amass more of it.
If there is a political subtext in these books (which BTW are great fun for me) it is the evil of racism and the uses to which it is put. And there are also the points that (a) all is not black-and-white in the real world (which might be a snark at GWB), which point is made by a pure-blood (Sirius Black) and (b) the best all-around student of magic is a mud-blood (Hermione). Dumbledore says it best (I paraphrase): "What shows who we really are is not our gifts, but our choices". That would seem to put a great deal of responsibility on individuals...as the French say :"after the age of 40 a man is responsible for his own face", which ought to please libertarians (and free-marketeers --- check out the entrepeneural genius of the Weasley twins).
Other than that, much of what has been discussed here--- rather too seriously I think --- is clearly satire: the pettifogging, small-minded and self-serving bureaucrats, the sadistic teacher, the cynicism and irresponsibility of the press (Rita Skeeter is a Swiftian gem) are all types that we know too well in reality.
One thing has struck me in particular about the series: like LOTR, there is no organized religion in any of it. There are no churches, liturgies, rituals, clergy, or appeals to a "higher power" whatever. I don't know what to make of this, but it might be worth a little mulling over. In all the fundie rabid raving about the occult no one sems to have noticed this.