Kurt Vonnegut, RIP
Jesse Walker | April 12, 2007, 9:32am
The author of three of my favorite books -- the dark Phildickian comedy
The Sirens of Titan and two novels of World War II,
Mother Night and
Slaughterhouse-Five -- has
died at age 84. At his worst his whimsy could be cloying, and I have to admit I stopped reading his books altogether after the disappointing
Galapagos. But at his best, Kurt Vonnegut wrote powerfully about cruelty, absurdity, and meaninglessness. He even managed to make them funny.
Mother Night was his best book. Published in 1961, it tells the story of an American expatriate who does radio propaganda for the Nazis in World War II; he is actually a spy, and his broadcasts incorporate coded messages for the Allies. The novel nestles ironies within ironies, including the possibility that his propaganda did more good for the Axis than his "real" work did for the other side. "We are what we pretend to be," Vonnegut writes, "so we must be careful about what we pretend to be."
Vonnegut's political sympathies were always with the left -- he cast his first presidential ballot for Norman Thomas -- but it wasn't a collectivist left. He did, after all, write the anti-egalitarian fable "
Harrison Bergeron," a fixture in public-school reading lists. His chief political interest was his fierce opposition to war, from his youthful support for the America First Committee to his strong disapproval of the ongoing adventure in Iraq. He always was more of a fatalist than an activist, though. As he wrote in the introduction to
Slaughterhouse-Five:
Over the years, people I've met have often asked me what I'm working on, and I've usually replied that the main thing was a book about Dresden.
I said that to Harrison Starr, the movie-maker, one time, and he raised his eyebrows and inquired, "Is it an anti-war book?"
"Yes," I said. "I guess."
"You know what I say to people when I hear they're writing anti-war books?"
"No. What do you say, Harrison Starr?"
"I say, why don't you write an anti-glacier book instead?"
What he meant, of course, was that there would always be wars, that they were as easy to stop as glaciers. I believe that, too.
And now the man is dead. Some of you are planning to enter the phrase "So it goes" in the comments. Resist the temptation.
joe | April 12, 2007, 3:50pm | #
"Irrational economic behavior by individuals has little to do with the efficiency or inefficiency of central planning." I know that. YOU know that. The thing is, Vonnegut didn't seem to think so, nor did a lot of people at that time in American (and world) history.
"I reiterate that Vonnegut was not rationalizing that central planning was more efficient, he was putting it forth for the sake of analyzing it."
Yes, which is why I wrote, "Similarly, in "Player Piano," he accepts that rational central planning - real central planning, where the economy is run by the govenrment, not the existence of Medicare and pollution laws - can produce the most efficient, pro-growth economic system. In the book, it does.
Instead, he asks whether it is a good idea to do so, based on other concerns about justice, equality, social stratification, non-material progress, and the meaningfulness of life in an overly-determined society."
He doesn't argue for the efficiency of central planning in the book, he just assumes it, in order to examine it from another direction.
What are you arguing against? That I described what Vonnegut wrote about central planning, without addressing its accuracy, while being of a different polition persuasion than you?
Get over it.