Sartre: No Entrance, Either
Charles Paul Freund | June 27, 2005, 5:16pm
The CBC writes that "Jean-Paul Sartre appears to be fading as a French cultural icon." Sartre's certainly fading at the CBC; the Canadian broadcaster evokes the title of his major philosophical work, Being and Nothingness, to treat Sartre's decline as a headline joke: "Sartre's being drifts closer to nothingness."
What evidence is there for this supposed fade? First, this summer marks the 100th anniversary of Sartre's birth, and a major Paris exhibit celebrating him "has drawn a disappointing number of visitors." Second, his shrinking number of enthusiasts assert that "the general public today knows little about him or his philosophies." Third, "few of his plays, which include No Exit, are regularly performed in French theatres or taught to students."
Here's my favorite exhibit: "His fans complain that the Cafe de Flore in the Left Bank area of Paris, where the prolific Sartre and partner Simone de Beauvoir wrote and held court with other left-wing intellectuals, is now filled with tourists."
Of course it's filled with tourists (many of them French provincials, by the way); Parisians know better than to pay its prices. If you want to, you can still hang out with Left Bank students who are debating culture and politics, but you'll find them in the quarter's fast-food burger joints, not paying $20 for un sandwiche au jambon.
"France hated him when he was alive and shuns him in death," says Bernard-Henri Levy, who wrote a study of Sartre. "He is treated like a pornographer."
Not so: France's leading postwar pornographer is cracking her whip to ever greater applause.
Stevo Darkly | June 28, 2005, 2:07pm | #
So, hell is no other people?
That was good.
About
The Story of O: Not many people know the story behind the "story," as it were.
Originally the novel was to be about the bizarre practice of
sado-pasta-masochism, in which "pasta tops" flog "pasta bottoms" with strands of cooked spaghetti. This is where the expression "forty lashes with a wet noodle" comes from.
Orginally, the book was to bet titled
The Story of Uh-Oh Spaghetti-O. However, upon the publisher's insistence, the "pasta" elements were removed from the novel out of fear that they would be too shocking to any but the most depraved minority of readers of the time, even in France.
Later, the adventurous authoress wrote a novel about having sex with musical instruments, titled
Bang the Drum Slowly, but this did not enjoy nearly the success of
O, in neither commercial nor critical terms.
Authoress Aury tried one more foray into the literary world of kinky sexuality, with her novel of bondage set in Bangkok,
How to Tie a Thai.
When that failed to sell, she tried writing a child's book in the tradition of
Lassie, Rin-Tin-Tin and
Call of the Wild, called
Fire and Dalmation! The Story of a Firehouse Dog. Alas, she found the publisher's insistence that she delete all sex scenes too stifling.
Finally, Aury began writing a series of novels about ships at sea. Her initial effort, about World War II naval warfare and the urban African-American experience (
A Submarine Ain't Nothin' But a Sandwich) sank without a trace, as it were. She gave up writing altogether after her final effort, set in the Age of Sail and titled
Ah, Frigate!